ID 37028
Title Transcription
カンタータ ダイ12バン ナキ ナゲキ ウレイ オビエ ダイ2キョク ト ミサキョク ロタンチョウ ジュウジカ ニ ツケラレ ダイ17キョク ノ テンヨウ カンケイ ニツイテ ノ ケンキュウ
Title Alternative
A Study on the Parody of the Church- Cantata No.12 <Weinen, Klagen, Sorgen, Zagen>(BWV12-the Second Tune-) and <Messe in h-moll -Crucifixus->(BWV232 -the Seventeenth Tune-)
Author
Content Type
Departmental Bulletin Paper
Description
In this study,I considerd the parody-problem of 2 tunes (the second tune of church-cantata No.12 (BWV12) and the sevevteenth tune of (Messe in h-moll) (BWV232)).
I examined both tunes synthetically and minutely from the viewpoint of bar-number,cycle and melody pattern of chacconne,tonality,kind and using-way of accompaniment-instrument,contents and arrangement of text and changes of tune-construction...
As a result of this study,in Bach's parody-working to (Messe in h-moll), I understood that Bach did the parody in earnest and he completed the universal and deep masterpiece,and his parody-working is always in harmony with the world of symbolyc expression.
Now,after this,I should like to continue to study the problems of parody by the consideration of another part of parody-working of (Messe in h-moll).
Journal Title
徳島大学総合科学部人間社会文化研究
ISSN
09199411
NCID
AN10436735
Volume
10
Start Page
145
End Page
152
Sort Key
145
Published Date
2003
EDB ID
FullText File
language
jpn
departments
Integrated Arts and Sciences