カンタータ第12番<泣き、嘆き、憂い、怯え>(BWV12)研究

This study follows my old ones on symbolic expression of J.S. Bach's music.
In it，I started that the study of the problems on Bach's parody. This time，I investigated the church cantata No.12 in detail, and examined the contents of its symbolic expression.
(The cantata No.12 was composed at 1714，and it was prodied to Messe in h-moll=Crucifixus… as the oldest work.)
As a result of this study，I understood that the cantata No.12 is a mature work habing almost all symbolic method of Messe in h-moll.
Now，I should like to continue this study and investigate the parody-reference of both works.