| ID | 45103 |
| Title Transcription | カンタータ ダイ215バン ナンジ ノ サチ オ タタエヨ メグマレシ ザクセン BWV 215 ダイ1キョク ト ミサ キョク ロタンチョウ BWV 232 ダイ23キョク ト ソノ ハンプク ブブン ノ ダイ25キョク イト タカキ トコロ ニ オザンナ ノ テンヨウ カンケイ ニツイテ ノ ケンキュウ
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| Title Alternative | A Study on the Parody of the Secular-Cantata No.215 <Preise dein Glucke,gesegnetes Sachsen>(First tune)and <Messe in h-moll>(BWV232)(the Twentythird Tune and the Twentyfifth Tune as the Repeat-Part)(Osanna in excelsis)
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| Author | |
| Content Type |
Departmental Bulletin Paper
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| Description | In this study,I investigated the parody-relation of the secular-cantata No.215<Preise dein Glücke，gesegnetes Sachsen> (BWV 215) (the first tune) and <Messe in h-moll> (BWV 232) (the twentythird tune and the twentyfifth tune as the repeat-part) (Osanna in excelsis).
As a result of this study，I could confirm that Bach did the parody very naturally and large-heartedly on his mature and pure-musical conception，as the both works are quite alike in these feelings and the atmosphere of these text. Further，I could recognize the symbolic technique of number on 3 and the simple symbolic technique of a sensuous level. |
| Journal Title |
徳島大学総合科学部人間社会文化研究
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| ISSN | 09199411
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| NCID | AN10436735
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| Volume | 12
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| Start Page | 67
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| End Page | 74
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| Sort Key | 67
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| Published Date | 2005
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| EDB ID | |
| FullText File | |
| language |
jpn
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| departments |
Integrated Arts and Sciences
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