ID 45103
Title Transcription
カンタータ ダイ215バン ナンジ ノ サチ オ タタエヨ メグマレシ ザクセン BWV 215 ダイ1キョク ト ミサ キョク ロタンチョウ BWV 232 ダイ23キョク ト ソノ ハンプク ブブン ノ ダイ25キョク イト タカキ トコロ ニ オザンナ ノ テンヨウ カンケイ ニツイテ ノ ケンキュウ
Title Alternative
A Study on the Parody of the Secular-Cantata No.215 <Preise dein Glucke,gesegnetes Sachsen>(First tune)and <Messe in h-moll>(BWV232)(the Twentythird Tune and the Twentyfifth Tune as the Repeat-Part)(Osanna in excelsis)
Author
Content Type
Departmental Bulletin Paper
Description
In this study,I investigated the parody-relation of the secular-cantata No.215<Preise dein Glücke,gesegnetes Sachsen> (BWV 215) (the first tune) and <Messe in h-moll> (BWV 232) (the twentythird tune and the twentyfifth tune as the repeat-part) (Osanna in excelsis).
As a result of this study,I could confirm that Bach did the parody very naturally and large-heartedly on his mature and pure-musical conception,as the both works are quite alike in these feelings and the atmosphere of these text.
Further,I could recognize the symbolic technique of number on 3 and the simple symbolic technique of a sensuous level.
Journal Title
徳島大学総合科学部人間社会文化研究
ISSN
09199411
NCID
AN10436735
Volume
12
Start Page
67
End Page
74
Sort Key
67
Published Date
2005
EDB ID
FullText File
language
jpn
departments
Integrated Arts and Sciences